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Georgia Jones Seduced by Lisa Ann, Georgia Jones is about to learn from Lisa Ann, everything she could ever need to know about lesbian sex! After a study date in the Jones house, Georgia gets pulled aside for a serious seduction which leads up to the loft, where Lisa keeps her toys close to the bed. Georgia is fascinated by Lisa's big tits, and disarmed by her every move. Her pussy learns how to cum in ways she'd never imagined...
What do you do when you go visit a business partner and his daughter is a smoking hot schoolgirl? Well, you can look as much as you want, but you can't touch. However, what do you do if she's a horny slutty schoolgirl and she acts seductively? Let's see what the guy in this movie did when he went home to his client and came across Aya Eikura, one of the hottest young girls he ever seen. And she really wants that dick. She acts extra kinky, spreading her legs and being inviting, until the guy couldn't resist her seduction games. He started groping her, he took her panties yet and he buried his head between her thighs to taste that wet nubile pussy. Then she returned the favor by sucking on his hard cock. She has amazing blowjob skills for a girl so young. She makes that cock ready to drill her and the guy doesn't disappoint her. He fucks her raw and hardcore until he cums inside of her. I don't know a lot about business, but I bet that cumming in your customer's daughter is not going to help.
James was begging his girl to bust the ol' money shot on her face. She got all disgusted and pushed him off. He went downstairs to get a drink, still hard and wanting to bust a nut. Step Mommy that was supposed to be gone for the weekend wasn't, and caught James hard as a rock. She seemed upset at first until she realized that Kelly wasn't doing a good job satisfying her man, so she decided to take care of business like a real woman. She swallowed his cock whole and slobbered all over his nuts. He bent her over the counter and proceeded to lick her ass. Soon enough he was fucking her full throttle. Kelly heard the ruckus and came down stairs. She was in awe, but horny step Mommy laid down the law. She told her what was up with a few pointers. Before he knew it he was fucking both of them as they were eating each other out like girlfriends. Kelly got a face full of cum anyways, and a lesson learned.
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An elevator is the device that Andrej Lupin cleverly employs in this stylish and scorching foray into lesbian erotica. Margot A (billed here as Eileen Sue) steps into the elevator and presses the button for her floor. A moment later Whitney Conroy joins her. They smile in greeting, as elevator riders routinely do. But when Conroy accidentally bumps into Margot the routine is abandoned. Sparks of attraction fly. And Conroy boldly plants a kiss on Margot's mouth. Without a care for where the elevator is going, or when it may stop, or who might unexpectedly join them, the seduction gains momentum. Before long Conroy is on her knees licking and sucking hungrily on Margot's pussy. Bracing herself against the walls of the confined space and grasping at a grab handle, Margot is soon rocked by an intense orgasm. Barely pausing to catch her breath, the couple swap roles and positions. Now Margot is squatting before Whitney, licking, fingering, stroking, and sucking her sex with ravenous urgency. Wracked by the power of her climax, Conroy collapses to the floor, spent and satisfied. Then, realizing the precarious vulnerability of their circumstances, the two women stand, straighten their disheveled clothing, smooth their hair, and share a kiss of mutual gratitude and farewell. It's here that the action of "Lift" concludes, but Lupin utilizes the unique nature of his set to amusing effect during the end credits. The director carrying his director's chair gets into the elevator with the two stars who continue to make out in the background. When he gets off, producer Ariel Piper Fawn juggling a laptop, cell phone, and other tools of her trade gets on. As it moves from floor to floor the entire crew, one at a time, step in and out of the elevator ending the impressively erotic "Lift" on a high and entertaining note.